“for my african violet” in Carousel 38 and “Conscientious Conceptualism” post at The Town Crier

Hi all,

With National Poetry Month (a.k.a. April) on its way out, I wanted to retroactively ‘announce’ two publications that haven’t yet made their way onto the blog.

First, another of my houseplants poems, “for my african violet,” was published in this month’s new issue of Carousel (which has been kicking around for a few weeks now). I’ve raved about Carousel and its publisher, Mark Laliberte, before, but I did want to add that both are also involved with the LitBang! Small Press Pop Up Store, which has been featuring a variety of magazines, books, and book-like ephemera all month long at Queen and Ossington in Toronto. If you haven’t made it over to the pop up yet, you’ve got one more weekend to check it out. (Do it now!)

Second, I’ve had the pleasure over the last month or so of writing a contribution to Andy Verboom’s guest editing stint at The Puritan‘s bloggy appendage, The Town Crier, which has taken the form of a series of posts on “Conscientious Conceptualism and Poetic Practice.” I knew as soon as I saw Andy’s call for submissions that the series would hit close to home, and that it was an opportunity for me to seriously think through (or, more accurately, begin to think through) some parts of my poetic practice and social presence in the literary scene that have troubled me for some time. What I didn’t know was that Andy would turn out to be an incredibly thoughtful, dedicated, and hard-working editor, and that his efforts with the series would give me no end of things to think about, both in print and in camera. Mostly, then, I wanted to thank him for his extraordinary attention and expertise. Otherwise, I’m still waiting to see what kinds of effects (if any) the post and the month of posts will have on my thinking and writing…. As with many projects of this kind, most of what I take away will likely be the lessons I’ve taught myself over the course of researching and articulating my ideas. Still, my ears remain open to any responses, positive or negative, public or private, that anyone might be interested in sharing with me. If you’d like, you can read what I’ve written on the topic of whiteness and conceptualism here.

That’s all for now, although I’m sure I’ll be back here before long with more news. Until then, happy reading!

 

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Carousel Guelph launch this Wednesday, and a new interview at Vocamus Press

Hi everyone,

Beginning with the second topic, I wanted to take a second to wholeheartedly thank Vocamus Press (Guelph’s champion of local literature) and especially Sheri Doyle, Friends of Vocamus Press’s Director of Communications, for posting Sheri’s interview with me on the Vocamus Press blog just last week. Sheri’s readings of some poems from Players (including some that didn’t make it into the final interview) are really incredible, and I think we opened up some great discussions around things like found poetry, the question of “meaning,” Players‘s road to publication, and even what it’s like writing from the perspectives of my ex-girlfriends. Check out the interview here (and don’t be afraid to skip to the juiciest-looking questions!).

For those in the physical (and not only thematic) vicinity of Guelph, I’ll be reading at Carousel Magazine‘s annual Guelph launch this Wednesday, November 23, starting at 7pm at Silence (46 Essex street, near downtown). (Here’s the facebook event page.) If you haven’t heard of Carousel…well, you should check it out. Aside from readings by me (potentially including some projected visual accompaniments, confirmation pending) and Mark Connery, the event also features sound performance by William Davidson, a projection-performance by Mark Laliberte, and an open mic (!). Alongside the magazine, Mark will also be launching the first issue of his collaborative 4PANEL experimental comic arts project. I don’t think you need any more than that description to realize how cool this is, but you should still check out 4PANEL’s website and instagram.

Happy reading, hearing, and seeing!