Tag Archives: erasure

Tree Reading Series in Ottawa next week, and “Min” in oratorealis

Hi everyone,

To begin, I’m very excited about the fact that I’ll be a featured reader (alongside Shoshanna Wingate) at next Tuesday’s edition of Tree Reading Series in Ottawa. In all honesty, there’s not much I can say about the series (since I’ve never been before!), but I do know it has a long tradition and an important place in Ottawa’s literary scene, both of which I’m happy to have a role in. It’s also a little flattering (though also intimidating!) to be described as a conceptual poet “known for fresh takes” (as Tree’s website points out)–I hope I don’t disappoint! In any case, I should thank Pearl Pirie and Nina Jane Drystek (who I met, by happenstance, at an art opening during my visit to Ottawa last February) for helping set up the reading. If you’re in Ottawa, it’s taking place on Tuesday, May 23, 6:45pm at Black Squirrel Books (and here’s the event’s facebook page).

Recently, I also got to see the text of my poem, “Min,” in this spring’s issue of oratorealis, a new-ish West coast literary journal with the provocative mission of publishing spoken word and experimental poetry. My piece definitely falls into the latter, since (as I’ve admitted to folks who have seen it) I have no idea how exactly it would be performed orally. The piece itself is a kind of textual medley, comprising poetic summaries of the verses of Cab Calloway’s big band jazz classic “Minnie the Moocher” as well as redacted transcriptions of the original verses, which reduce them to something resembling the song’s famous call-and-response scat choruses. As long as I’m on the topic, I might as well add that my process for writing the piece involved downloading every version and cover of the song I could find, then listening to them on loop until the lyrics (and their multiple musical renditions) were etched in my head. It’s a very, very good song.

Anyway, I think that’s all for now. Happy reading!

 

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O Our Ism erasures/artist’s book now available on the Publications page!

Hi everyone,

Presenting some of my work at the fabulous Facilitate event Seeing Poetry last week inspired me to make one of my major visual poetic projects more readily available online. Different forms of O Our Ism have accompanied me through much of my development as a writer: after completing the first few entries of the project for a class assignment in third year (specifically, in my poetry class with the wonderful David Goldstein), I went on to print further spreads as glossy, broadsheet-style posters, many of which are now in the hands or on the walls of poetically-minded friends and acquaintances. Finally, last summer, I compiled the pages into an artist’s book designed to mimic the source material in size and layout (although, admittedly, not thickness). Over the past few years I have brought versions of the project to countless readings and assembled parts of it into wall displays for exhibitions such as the T E X T ual A R T ivity show in Coburg, Ontario this spring.

For reference, I’ve included below a brief note that accompanied O Our Ism on the walls of The Academy of the Impossible during the latter’s brief stay at 231 Wallace Avenue in Toronto. You can access my complete pdf e-book of the project here, or by finding it near the top of the Publications page. Of course, you can also get in touch with me to look at (or potentially own) a physical copy of the book–it’s quite striking in person!

A note on the work:

O Our Ism is a series of erasures developed out of two-page spreads from the book Photojournalism, edited by Nick Yapp and Amanda Hopkinson and published by Könemann (2006) using photographs from Getty Images. The book’s original captions, which provide the textual source for the erasures, appear in English, French and German. O Our Ism is a realistically endless project, as its source material will only be exhausted once its nearly 400 spreads are rendered into poems.

 

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New broadside-posters available at upcoming readings!

Hi all,

It’s now the day after my spectacular feature at Rochdale Rhymes and Readings with Lisa Young and Ian Hanna (if you missed it, it was a lot of fun and a wonderful night all around) and just a few days before my next feature at The Secret Handshake Gallery this Sunday, and I’d like to take the chance to post about my newest art/printing/publishing project!

Last night at the Regal Beagle (with a just-printed package from Staples and a borrowed pen), I debuted a set of (so far) 8 broadsides from a series of erasures tentatively titled O Our Ism. The broadsides are scanned and reprinted spreads from a large book of photographs spanning the 150-year history of photojournalism, whose captions I have selectively whited out to construct erasure poems on the images’ margins. The result is a series of rather poster-like (they’re printed on glossy paper) sheets featuring huge prints of historic photographs dwarfing narrow columns of my own minimalistic, visual found poetry.

Following a very successful showing-off last night, I’ll now be signing and selling copies of the broadsides at my upcoming readings for $4 each (or 2 for $7, or 3 for $10). If you’re interested, come out and take a look! (Oh, and stay for the live readings, too.)

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