To begin, I’m very excited about the fact that I’ll be a featured reader (alongside Shoshanna Wingate) at next Tuesday’s edition of Tree Reading Series in Ottawa. In all honesty, there’s not much I can say about the series (since I’ve never been before!), but I do know it has a long tradition and an important place in Ottawa’s literary scene, both of which I’m happy to have a role in. It’s also a little flattering (though also intimidating!) to be described as a conceptual poet “known for fresh takes” (as Tree’s website points out)–I hope I don’t disappoint! In any case, I should thank Pearl Pirie and Nina Jane Drystek (who I met, by happenstance, at an art opening during my visit to Ottawa last February) for helping set up the reading. If you’re in Ottawa, it’s taking place on Tuesday, May 23, 6:45pm at Black Squirrel Books (and here’s the event’s facebook page).
Recently, I also got to see the text of my poem, “Min,” in this spring’s issue of oratorealis, a new-ish West coast literary journal with the provocative mission of publishing spoken word and experimental poetry. My piece definitely falls into the latter, since (as I’ve admitted to folks who have seen it) I have no idea how exactly it would be performed orally. The piece itself is a kind of textual medley, comprising poetic summaries of the verses of Cab Calloway’s big band jazz classic “Minnie the Moocher” as well as redacted transcriptions of the original verses, which reduce them to something resembling the song’s famous call-and-response scat choruses. As long as I’m on the topic, I might as well add that my process for writing the piece involved downloading every version and cover of the song I could find, then listening to them on loop until the lyrics (and their multiple musical renditions) were etched in my head. It’s a very, very good song.
Anyway, I think that’s all for now. Happy reading!